Sunday, October 19, 2008

Sagarmatha National Park


Sagarmatha National Park, is located in eastern Nepal, containing parts of the Himalayas and the southern half of Mount Everest. The park was created July 19, 1976 and in 1979 was inscribed as a Natural World Heritage Site. Sagarmatha is Sanskrit for "Sagar = sky (not to be confused with sea/ocean) and matha = forehead or head " and is the modern Nepali name for Mount Everest.
The park encompasses an area of 1,148 km² and ranges in elevation from its lowest point of 2,845 m

Location
Nepal
Coordinates
27°57′55″N 86°54′47″E / 27.96528, 86.91306
Area
1,148 km²
Established
July 19, 1976
(9,335 ft) at Jorsalle to 8,850 m (29,035 ft) at the summit of Everest. Barren land above 5,000 m (16,400 ft) comprises 69% of the park while 28% is grazing land and the remaining 3% is forested. Most of the park area is very rugged and steep, with its terrain cut by deep rivers and glaciers. Unlike other parks, this park can be divided into four climate zones because of the rising altitude. The climatic zones include a forested lower zone, a zone of alpine scrub, the upper alpine zone which includes upper limit of vegetation growth, and the Arctic zone where no plants can grow. The types of plants and animals that are found in the park depend on the altitude. The park contains the upper watershed of the Dudh Kosi river basin system.
The park's visitor centre is located at the top of a hill in Namche Bazaar, also where a company of the Nepal Army is stationed for protecting the park. The park's southern entrance is a few hundred metres north of Mondzo at 2,835 m (9,300 ft), a one day hike from Lukla.


Flora and fauna

In the lower forested zone, birch, juniper, blue pines, firs, bamboo and rhododendron grow. Above this zone all vegetation are found to be dwarf or shrubs. As the altitude increases, plant life is restricted to lichens and mosses. Plants cease to grow at about 5,750 m (18,690 ft), because this is the permanent snow line in the Himalayas.
Forests of pine and hemlock cover the lower elevations of the national park. At elevations of around 3500 meters and above, forests of silver fir, birch, rhododendron and juniper trees are found. The forests provide habitat to at least 118 species of birds, including Danphe, Bloo pheasant, Red-billed chough, and yellow-billed chough. Sagarmatha National Park is also home to a number of rare species, including musk deer, wild yak, snow leopard, Himalayan black bear and red panda. Besides, many other animals such as Himalayan thars, deer, langur monkeys, hares, mountain foxes, martens, and Himalayan wolves are found in the park. However, their numbers are not very large and many visitors may not be able to see them.
The partial pressure of oxygen falls with altitude. Therefore, the animals that are found here are adapted to living on less oxygen as well as a cold temperature. They have thick coats to retain body heat. Some of them have shortened limbs to prevent loss of body heat. The Himalayan bears go into hibernation in caves during the winter when there is no food



Saturday, October 18, 2008

Mount Everest


Mount Everest, also called Sagarmatha (Nepali: सगरमाथा meaning Head of the Sky) or Chomolungma, Qomolangma or Zhumulangma (in Tibetan: ཇོ་མོ་གླང་མ, in Chinese: 珠穆朗玛峰 Zhūmùlǎngmǎ Fēng) is the highest mountain on Earth, as measured by the height of its summit above sea level, which is 8,848 metres (29,029 ft). The mountain, which is part of the Himalaya range in High Asia, is located on the border between Sagarmatha Zone, Nepal, and Tibet, China.
In 1856, the Great Trigonometric Survey of India established the first published height of Everest at 29,002 ft (8,840 m), although at the time Everest was known as Peak XV. In 1865, Everest was given its official English name by the Royal Geographical Society upon recommendation of Andrew Waugh, the British Surveyor General of India at the time. Waugh was unable to propose an established local name due to Nepal and Tibet being closed to foreigners at the time, although Chomolungma had been in common use by Tibetans for centuries.
The highest mountain in the world attracts climbers of all levels, from well experienced mountaineers to novice climbers willing to pay substantial sums to professional mountain guides to complete a successful climb. The mountain, while not posing substantial technical climbing difficulty on the standard route (other eight-thousanders such as K2 or Nanga Parbat are much more difficult), still has many inherent dangers such as altitude sickness, weather and wind. By the end of the 2007 climbing season, there had been 3,679 ascents to the summit by 2,436 individuals. This means climbers are a significant source of tourist revenue for Nepal, whose government also requires all prospective climbers to obtain an expensive permit, costing up to US$25,000 per person.[4] Everest has claimed 210 lives, including eight who perished during a 1996 storm high on the mountain. Conditions are so difficult in the death zone that most corpses have been left where they fell, some of which are visible from standard climbing routes.[5]
Discovery of the highest mountain
In 1808, the British began the Great Trigonometric Survey of India to determine the location and names of the world's highest mountains. Starting in southern India, the survey teams gradually moved northward using giant 1100 pound (500 kg) theodolites (each requiring 12 men to carry) to measure heights as accurately as possible. They reached the Himalayan foothills by the 1830s, but Nepal was unwilling to allow the British to enter the country due to suspicions of political aggression and possible annexation. Several requests by the surveyors to enter Nepal were turned down.[6]
The British were forced to continue their observations from Terai, a region south of Nepal which is parallel to the Himalayas. Conditions in Terai were difficult due to torrential rains and malaria — three survey officers died from malaria while two others had to retire due to failing health.[6]
Nonetheless, in 1847, the British pressed on and began detailed observations of the Himalayan peaks from observation stations up to 150 mi (240 km) away. Weather restricted work to the last three months of the year. In November 1847, Andrew Waugh, the British Surveyor General of India made a number of observations from Sawajpore station located in the eastern end of the Himalayas. At the time, Kangchenjunga was considered the highest peak in the world, and with interest he noted a peak beyond it, some 140 mi (230 km) away. John Armstrong, one of Waugh's officials, also saw the peak from a location further west and called it peak 'b'. Waugh would later write that the observations indicated that peak 'b' was higher than Kangchenjunga, but due to the great distance of the observations, closer observations were required for verification. The following year, Waugh sent a survey official back to Terai to make closer observations of peak 'b', but clouds thwarted all attempts.[6]
In 1849, Waugh dispatched James Nicolson to the area. Nicolson was able to make two observations from Jirol, 118 mi (190 km) away. Nicolson then took the largest theodolite and headed east, obtaining over 30 observations from five different locations, with the closest being 108 mi (174 km) away from the peak.[6]
Nicolson retreated to Patna on the Ganges to perform the necessary calculations based on his observations. His raw data gave an average height of 30,200 ft (9,200 m) for peak 'b', but this did not take into account light refraction which distorts heights. The number clearly indicated, however, that peak 'b' was higher than Kangchenjunga. Unfortunately, Nicolson came down with malaria and was forced to return home, calculations unfinished. Michael Hennessy, one of Waugh's assistants, had begun designating peaks based on Roman Numerals, with Kangchenjunga named Peak IX, while peak 'b' now became known as Peak XV.[6]
Sagarmatha (Mount Everest) as seen from Kala PattarIn 1852, stationed at the survey's headquarters in Dehradun, Radhanath Sikdar, an Indian mathematician and surveyor from Bengal, was the first to identify Everest as the world's highest peak, using trigonometric calculations based on Nicolson's measurements.[7] An official announcement that Peak XV was the highest was delayed for several years as the calculations were repeatedly verified. Waugh began work on Nicolson's data in 1854, and along with his staff spent almost two years working on the calculations, having to deal with the problems of light refraction, barometric pressure, and temperature over the vast distances of the observations. Finally, in March 1856 he announced his findings in a letter to his deputy in Calcutta. Kangchenjunga was declared to be 28,156 ft (8,582 m), while Peak XV was given the height of 29,002 ft (8,840 m). Waugh concluded that Peak XV was "most probably the highest in the world".[6] Peak XV was found to be exactly 29,000 feet (8,839 m) high, but was publicly declared to be 29,002 ft (8,840 m). The arbitrary addition of 2 feet (60 cm) was to avoid the impression that an exact height of 29,000 feet was nothing more than a rounded estimate.[8]
With the height now established, what to name the peak was clearly the next challenge. While the survey was anxious to preserve local names if possible (e.g., Kangchenjunga and Dhaulagiri were local names), Waugh argued that he was unable to find any commonly used local name. Waugh's search for a local name was hampered by Nepal and Tibet being closed to foreigners at the time. Many local names existed, with perhaps the best known in Tibet for several centuries being Chomolungma, which had appeared on a 1733 map published in Paris by the French geographer D'Anville. However, Waugh argued that with the plethora of local names, it would be difficult to favour one specific name over all others. So, he decided that Peak XV should be named after George Everest, his predecessor as Surveyor General of India.[6][9] He wrote:
I was taught by my respected chief and predecessor, Colonel Sir George Everest to assign to every geographical object its true local or native appellation. But here is a mountain, most probably the highest in the world, without any local name that we can discover, whose native appellation, if it has any, will not very likely be ascertained before we are allowed to penetrate into Nepal. In the meantime the privilege as well as the duty devolves on me to assign…a name whereby it may be known among citizens and geographers and become a household word among civilized nations.[10]
George Everest opposed the name suggested by Waugh and told the Royal Geographical Society in 1857 that Everest could not be written in Hindi nor pronounced by "the native of India". Waugh's proposed name prevailed despite the objections, and in 1865, the Royal Geographical Society officially adopted Mount Everest as the name for the highest mountain in the world.[6]

Naming
The Tibetan name for Mount Everest is Chomolungma or Qomolangma (ཇོ་མོ་གླིང་མ, which means "Saint Mother"), and the Chinese transliteration is Zhūmùlǎngmǎ Fēng (simplified Chinese: 珠穆朗玛峰; traditional Chinese: 珠穆朗瑪峰), which refers to Earth Mother; the Chinese translation is Shèngmǔ Fēng (simplified Chinese: 圣母峰; traditional Chinese: 聖母峰), which refers to Holy Mother. According to English accounts of the mid-19th century, the local name in Darjeeling for Mount Everest was Deodungha, or "Holy Mountain".[11]
In 1865, the mountain was officially given its English name by the Royal Geographical Society after being proposed by Andrew Waugh, the British Surveyor General of India.[6] Waugh chose to name the mountain after George Everest, first using the spelling Mont Everest, and then Mount Everest. However, the modern pronunciation of Everest IPA: /ˈɛvərɪst, ˈɛvrɪst/[12] is in fact different from Sir George's own pronunciation of his surname, which was /ˈiːvrɪst/[13].
In the late 19th century, many European cartographers incorrectly believed that a native name for the mountain was "Gaurisankar".[14] This was a result of confusion of Mount Everest with the actual Gauri Sankar, which, when viewed from Kathmandu, stands almost directly in front of Everest.[citation needed]
In the early 1960s, the Nepalese government gave Mount Everest the official name Sagarmatha (सगरमाथा).[15] This name had not previously been used; the local inhabitants knew the mountain as Chomolungma. The mountain was not known and named in ethnic Nepal (that is, the Kathmandu valley and surrounding areas).[citation needed] The government set out to find a Nepalese name for the mountain because the Sherpa/Tibetan name Chomolangma was not acceptable, as it would have been against the idea of unification (Nepalization) of the country.[citation needed]
In 2002, the Chinese People's Daily newspaper published an article making a case against the continued use of the English name for the mountain in the Western world, insisting that it should be referred to by its Tibetan name. The newspaper argued that the Chinese (in nature a Tibetan) name preceded the English one, as Mount Qomolangma was marked on a Chinese map more than 280 years ago.[16]
Measurement
In 1856, Andrew Waugh announced Everest (then known as Peak XV) as 29,002 feet (8,840 m) high, after several years of calculations based on observations made by the Great Trigonometric Survey.
More recently, the mountain has been found to be 8,848 metres (29,029 ft) high, although there is some variation in the measurements. On 9 October 2005, after several months of measurement and calculation, the PRC's State Bureau of Surveying and Mapping officially announced the height of Everest as 8,844.43 m ± 0.21 m (29,017.16 ± 0.69 ft). They claimed it was the most accurate and precise measurement to date.[17] This height is based on the actual highest point of rock and not on the snow and ice covering it. The Chinese team also measured a snow/ice depth of 3.5 m,[18] which is in agreement with a net elevation of 8,848 m. The snow and ice thickness varies over time, making a definitive height of the snow cap impossible to determine.
The elevation of 8,848 m (29,029 ft) was first determined by an Indian survey in 1955, made closer to the mountain, also using theodolites. It was subsequently reaffirmed by a 1975 Chinese measurement.[19] In both cases the snow cap, not the rock head, was measured. In May 1999 an American Everest Expedition, directed by Bradford Washburn, anchored a GPS unit into the highest bedrock. A rock head elevation of 8,850 m (29,035 ft), and a snow/ice elevation 1 m (3 ft) higher, were obtained via this device.[20] Although it has not been officially recognized by Nepal,[21] this figure is widely quoted. Geoid uncertainty casts doubt upon the accuracy claimed by both the 1999 and 2005 surveys.
A detailed photogrammetric map (at a scale of 1:50,000) of the Khumbu region, including the south side of Mount Everest, was made by Erwin Schneider as part of the 1955 International Himalayan Expedition, which also attempted Lhotse. An even more detailed topographic map of the Everest area was made in the late 1980s under the direction of Bradford Washburn, using extensive aerial photography.[22]
It is thought that the plate tectonics of the area are adding to the height and moving the summit north-eastwards. Two accounts[20][23] suggest the rates of change are 4 mm (0.16 in) per year (upwards) and 3-6 mm (0.12-0.25 in) per year (northeastwards), but another account mentions more lateral movement (27 mm/1.1 in),[24] and even shrinkage has been suggested.[25]
The Mount Everest region, and the Himalayas in general, are thought to be experiencing ice-melt due to global warming.[26]
Comparisons
Everest is the mountain whose summit attains the greatest distance above sea level. Several other mountains are sometimes claimed as alternative "tallest mountains on Earth". Mauna Kea in Hawaii is tallest when measured from its base;[27] it rises over 10,200 m (6.3 mi) when measured from its base on the mid-ocean floor, but only attains 4,205 m (13,796 ft) above sea level.
By the same measure of base[27] to summit, Mount McKinley, in Alaska, is also taller than Everest. Despite its height above sea level of only 6,193.6 m (20,320 ft), Mount McKinley sits atop a sloping plain with elevations from 300-900 m (1,000-3,000 ft), yielding a height above base in the range of 5,300-5,900 m (17,300-19,300 ft); a commonly quoted figure is 5,600 m (18,400 ft).[28] By comparison, reasonable base elevations for Everest range from 4,200 m (13,800 ft) on the south side to 5,200 m (17,100 ft) on the Tibetan Plateau, yielding a height above base in the range of 3,650 m (12,000 ft) to 4,650 m (15,300 ft).[22]
The summit of Chimborazo in Ecuador is 2,168 m (7,113 ft) farther from the Earth's centre (6,384.4 km or 3,967.1 mi) than that of Everest (6,382.3 km or 3,965.8 mi), because the Earth bulges at the Equator. However, Chimborazo attains a height of only 6,267 m (20,561 ft) above sea level, and by this criterion it is not even the highest peak of the Andes.

Climbing routes
Mt. Everest has two main climbing routes, the southeast ridge from Nepal and the northeast ridge from Tibet, as well as many other less frequently climbed routes.[29] Of the two main routes, the southeast ridge is technically easier and is the more frequently-used route. It was the route used by Edmund Hillary and Tenzing Norgay in 1953 and the first recognised of fifteen routes to the top by 1996.[29] This was, however, a route decision dictated more by politics than by design as the Chinese border was closed to the western world in 1950s after the Communist China took over the control Tibet from the Republic of China.[30]
View from space showing South Col route and North Col/Ridge routeMost attempts are made during May before the summer monsoon season. As the monsoon season approaches, a change in the jet stream at this time pushes it northward, thereby reducing the average wind speeds high on the mountain.[31][32] While attempts are sometimes made after the monsoons in September and October, when the jet stream is again temporarily pushed northward, the additional snow deposited by the monsoons and the less stable weather patterns (tail end of the monsoon) makes climbing more difficult.
Southeast ridge
The ascent via the southeast ridge begins with a trek to Base Camp at 5,380 m (17,700 ft) on the south side of Everest in Nepal. Expeditions usually fly into Lukla (2,860 m) from Kathmandu and pass through Namche Bazaar. Climbers then hike to Base Camp, which usually takes six to eight days, allowing for proper altitude acclimatization in order to prevent altitude sickness. Climbing equipment and supplies are carried by yaks, dzopkyos (yak hybrids) and human porters to Base Camp on the Khumbu Glacier. When Hillary and Tenzing climbed Everest in 1953, they started from Kathmandu Valley, as there were no roads further east at that time.
Climbers will spend a couple of weeks in Base Camp, acclimatizing to the altitude. During that time, Sherpas and some expedition climbers will set up ropes and ladders in the treacherous Khumbu Icefall. Seracs, crevasses and shifting blocks of ice make the icefall one of the most dangerous sections of the route. Many climbers and Sherpas have been killed in this section. To reduce the hazard, climbers will usually begin their ascent well before dawn when the freezing temperatures glue ice blocks in place. Above the icefall is Camp I at 6,065 metres (19,900 ft).
From Camp I, climbers make their way up the Western Cwm to the base of the Lhotse face, where Camp II or Advanced Base Camp (ABC) is established at 6,500 m (21,300 ft). The Western Cwm is a relatively flat, gently rising glacial valley, marked by huge lateral crevasses in the centre which prevent direct access to the upper reaches of the Cwm. Climbers are forced to cross on the far right near the base of Nuptse to a small passageway known as the "Nuptse corner". The Western Cwm is also called the "Valley of Silence" as the topography of the area generally cuts off wind from the climbing route. The high altitude and a clear, windless day can make the Western Cwm unbearably hot for climbers.[33]
From ABC, climbers ascend the Lhotse face on fixed ropes up to Camp III, located on a small ledge at 7,470 m (24,500 ft). From there, it is another 500 metres to Camp IV on the South Col at 7,920 m (26,000 ft). From Camp III to Camp IV, climbers are faced with two additional challenges: The Geneva Spur and The Yellow Band. The Geneva Spur is an anvil shaped rib of black rock named by a 1952 Swiss expedition. Fixed ropes assist climbers in scrambling over this snow covered rock band. The Yellow Band is a section of interlayered marble, phyllite, and semischist which also requires about 100 metres of rope for traversing it.[33]
On the South Col, climbers enter the death zone. Climbers typically only have a maximum of two or three days they can endure at this altitude for making summit bids. Clear weather and low winds are critical factors in deciding whether to make a summit attempt. If weather does not cooperate within these short few days, climbers are forced to descend, many all the way back down to Base Camp.
From Camp IV, climbers will begin their summit push around midnight with hopes of reaching the summit (still another 1,000 metres above) within 10 to 12 hours. Climbers will first reach "The Balcony" at 8,400 m (27,600 ft), a small platform where they can rest and gaze at peaks to the south and east in the early dawn light. Continuing up the ridge, climbers are then faced with a series of imposing rock steps which usually forces them to the east into waist deep snow, a serious avalanche hazard. At 8,750 m (28,700 ft), a small table-sized dome of ice and snow marks the South Summit.[33]
From the South Summit, climbers follow the knife-edge southeast ridge along what is known as the "Cornice traverse" where snow clings to intermittent rock. This is the most exposed section of the climb as a misstep to the left would send one 2,400 m (8,000 ft) down the southwest face while to the immediate right is the 3,050 m (10,000 ft) Kangshung face. At the end of this traverse is an imposing 12 m (40 ft) rock wall called the "Hillary Step" at 8,760 m (28,740 ft).[33]
Hillary and Tenzing were the first climbers to ascend this step and they did it with primitive ice climbing equipment and without fixed ropes. Nowadays, climbers will ascend this step using fixed ropes previously set up by Sherpas. Once above the step, it is a comparatively easy climb to the top on moderately angled snow slopes - though the exposure on the ridge is extreme especially while traversing very large cornices of snow. With increasing numbers of people climbing the mountain in recent years, the Step has frequently become a bottleneck, with climbers forced to wait significant amounts of time for their turn on the ropes, leading to problems in getting climbers efficiently up and down the mountain. After the Hillary Step, climbers also must traverse a very loose and rocky section that has a very large entanglement of fixed ropes that can be troublesome in bad weather. Climbers will typically spend less than a half-hour on "top of the world" as they realize the need to descend to Camp IV before darkness sets in, afternoon weather becomes a serious problem, or supplemental oxygen tanks run out.
Northeast ridge
The northeast ridge route begins from the north side of Everest in Tibet. Expeditions trek to the Rongbuk Glacier, setting up Base Camp at 5,180 m (16,990 ft) on a gravel plain just below the glacier. To reach Camp II, climbers ascend the medial moraine of the east Rongbuk Glacier up to the base of Changtse at around 6,100 m (20,000 ft). Camp III (ABC - Advanced Base Camp) is situated below the North Col at 6,500 m (21,300 ft). To reach Camp IV on the north col, climbers ascend the glacier to the foot of the col where fixed ropes are used to reach the North Col at 7,010 m (23,000 ft). From the North Col, climbers ascend the rocky north ridge to set up Camp V at around 7,775 m (25,500 ft). The route crosses the North Face in a diagonal climb to the base of the Yellow Band reaching the site of Camp VI at 8,230 m (27,000 ft). From Camp VI, climbers will make their final summit push. Climbers face a treacherous traverse from the base of the First Step: 27,890 feet - 28,000 feet, to the crux of the climb, the Second Step: 28,140 feet - 28,300 feet. (The Second Step includes a climbing aid called the "Chinese ladder", a metal ladder placed semi-permanently in 1975 by a party of Chinese climbers. It has been almost continuously in place since, and is used by virtually all climbers on the route.) Once above the Second Step the inconsequential Third Step is clambered over: 28,510 feet - 28,870 feet. Once above these steps, the summit pyramid is climbed by means of a snow slope of 50 degrees, to the final summit ridge along which the top is reached.[34]

Wednesday, October 15, 2008

7 World Trade Center


7 World Trade Center is a building in New York City located across from the World Trade Center site in Lower Manhattan. The name "7 World Trade Center" has referred to two buildings: the original structure, completed in 1987, and the current structure. The original building was destroyed on September 11, 2001 and replaced with the new 7 World Trade Center, which opened in 2006. Both buildings were developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey.
The original 7 World Trade Center was 47 stories tall, clad in red exterior masonry, and occupied a trapezoidal footprint. An elevated walkway connected the building to the World Trade Center plaza. The building was situated above a Consolidated Edison (Con Ed) power substation, which imposed unique structural design constraints. When the building opened in 1987, Silverstein had difficulties attracting tenants. In 1988, Salomon Brothers signed a long-term lease, and became the main tenants of the building. On September 11, 2001, 7 WTC was damaged by debris when the nearby North Tower of the WTC collapsed. The debris also ignited fires, which continued to burn throughout the afternoon on lower floors of the building, with a lack of water to fight the fires. The building collapsed completely at 5:20 p.m., when a critical column on the 13th floor buckled and triggered structural failure throughout.
The new 7 World Trade Center construction began in 2002 and was completed in 2006. It is 52 stories tall and still situated above the Con Ed power substation. Built on a smaller footprint than the original to allow Greenwich Street to be restored from TriBeCa through the World Trade Center site and south to Battery Park, the new building is bounded by Greenwich, Vesey, Washington, and Barclay streets. A small park across Greenwich Street occupies space that was part of the original building's footprint. The current 7 World Trade Center's design placed emphasis on safety, with a reinforced concrete core, wider stairways, and thicker fireproofing of steel columns, and incorporates numerous environmentally friendly features.

List of Los Angeles Historic-Cultural Monuments in South Los Angeles



This is a list of Los Angeles Historic-Cultural Monuments in South Los Angeles, California, USA. In total, there are 144 Historic-Cultural Monuments (HCM) in the South Los Angeles area, which includes the historic West Adams, Exposition Park, and University of Southern California campus areas. It also includes historic sites in Watts (including Simon Rodia's Watts Towers), Baldwin Hills, Crenshaw, Jefferson Park, and Leimert Park. Further, certain historic sites in Arlington Heights, Harvard Heights and Mid-City neighborhoods below Pico Boulevard are identified by the Los Angeles Department of City Planning as being in South Los Angeles, and are included here.[1] There is also a separate list below identifying other historic sites in the area that have not been designated as HCMs, but which have been recognized as California Historical Landmarks or have been listed on the National Register of Historic Places.

Overview of the Historic-Cultural Monuments in southern Los Angeles

National Historic Landmarks. The southern portion of Los Angeles includes some of the city's most historic sites, including three National Historic Landmarks. The sites receiving this high designation are: (1) the Los Angeles Memorial Coliseum, built in 1923, and used as the principal site of the 1932 and 1984 Summer Olympic Games;[2] (2) the Watts Towers (HCM #15), a collection of 17 interconnected structures, two of which reach heights of over 99 feet (30 m), built by Italian immigrant construction worker Simon Rodia in his spare time from 1921 to 1954; and (3) Baldwin Hills Village (HCM #174), an innovative planned community built in the 1930s with large open grassy areas and trees.
Historic West Adams. The largest concentration of historic sites in the South Los Angeles area is in the West Adams district, along a three-mile stretch of West Adams Boulevard between Arlington Avenue and Figueroa Street. Though South Los Angeles is now considered one of the poorest sections of the city, the West Adams district was one of the city's most affluent areas from the 1890s through the 1920s. Many of the area's mansions, Victorian homes, and American Craftsman bungalows have been preserved. The area's 70 Historic-Cultural Monuments include some of the city's most reknowned landmarks, such as oil baron Edward Doheny's Chester Place mansion (HCM #30), the William Andrews Clark Memorial Library (HCM #28) operated by UCLA, the castle-like Stimson House (HCM #212) that survived a dynamite attack in 1896, Frederick Hastings Rindge House (HCM #95) built by a Bostonian who owned all of Malibu, the picturesque Victorian Forthmann House (HCM #103), and the birthplace of two-time U.S. Presidential candidate Adlai Stevenson (HCM #35).
Churches. Many of the city's most recognizable churches are also located in southern Los Angeles, including the domed Second Church of Christ Scientist (HCM #57), the second Catholic church in the city to be consecrated, St. Vincent de Paul (HCM #72), the city's Episcopal cathedral, Saint John's , its Greek Orthodox cathedral, Saint Sophia (HCM #120), the Gothic McCarty Memorial Christian Church, which became one of the first white Protestant churches to be racially integrated in the 1950s, the Lombard Romanesque Second Baptist Church (HCM #200) designed in 1925 by noted African-American architect, Paul R. Williams, and the Richardsonian Romanesque First African Methodist Episcopal Zion Cathedral (HCM #341).
USC and Exposition Park. To the south of West Adams is the campus of the University of Southern California and Exposition Park. The important sites in these neighborhoods include the Coliseum, the Shrine Auditorium (HCM #139) (the site of eleven Academy Awards ceremonies between 1947 and 2001),[3] the Natural History Museum of Los Angeles County, the Exposition Park Rose Garden, and USC's Widney Hall (HCM #70) (the oldest university building in Southern California, in continuous use since 1880).
The Dunbar Hotel was at the center of the Central Avenue jazz scene in the 1930s and 1940s.African-American Music History. The area also includes sites that have played an important role in the city's musical history. The Ray Charles Worldwide Offices and Studios were designated as a Historic-Cultural Monument (HCM #776) in 2004, and the Dunbar Hotel (HCM #70) was at the center of the thriving Central Avenue jazz scene in the 1930s and 1940s. After hosting the first national convention of the NAACP to be held in the western United States, the Dunbar hosted Duke Ellington, Cab Calloway, Billie Holiday, Louis Armstrong, Lionel Hampton, Count Basie, Lena Horne and other jazz legends. Former heavyweight champion Jack Johnson also ran a nightclub at the Dunbar in the 1930s. And the Lincoln Theatre (HCM #744), built in 1927, was once the crown jewel of Central Avenue, referred to by some as the West Coast's version of New York's Apollo Theater.
Ralph J. Bunche House. The Ralph J. Bunche House (HCM #159), boyhood home of Ralph J. Bunche, the first African-American to win the Nobel Peace Prize, has been preserved as a museum.
Vermont Square Branch Library. The city's oldest library building, the Vermont Square Branch (HCM #264) was built in 1913 in the Vermont Square section of South Los Angeles. It is an Italian Renaissance style building with Prairie style proportions built with a grant from Andrew Carnegie.
Watts Station. The Watts Station was designated as a Historic-Cultural Monument (HCM #36) shortly after the Watts Riots in 1965. The old wooden railway station, built in 1904, was the only building along Watts' main thoroughfare (which became known as "Charcoal Alley") to survive the riots. The station became a symbol of continuity, hope and renewal for the Watts community.
A map displaying the historic sites and districts in South Los Angeles can be viewed by clicking "Map of all coordinates" below to the right.

Asian Brown Flycatcher

The Asian Brown Flycatcher, Muscicapa dauurica, is a small passerine bird in the flycatcher family Muscicapidae.
This is an insectivorous species which breeds in Japan, eastern Siberia and the Himalayas. It is migratory and winters in tropical southern Asia from southern India and Sri Lanka east to Indonesia.

Description
This species is 13 cm long, including the cocked tail. It is similar in shape to the larger Spotted Flycatcher, but is relatively longer-tailed. The dark bill is relatively large and broad-based.
The adult has grey-brown upperparts, which become greyer as the plumage ages, and whitish underparts with brown-tinged flanks. Young birds have scaly brown upperparts, head and breast.

Geographical variation
Although usually treated as monotypic, Rasmussen and Anderton, in Birds of South Asia. TheRipley Guide argue that populations in the Indian subcontinent and the Andaman Islands should be regarded as a separate subspecies, poonensis, from the nominate race which occupies most of the species' range. They describe poonensis as paler and browner above, with a deeper bill, and mostly pale lower mandible, a more mottled throat, breast and flanks (in fresh plumage), less contrastingly white "spectacles" and throat, and perhaps a more rounded wing. [2]

Behaviour
Asian Brown Flycatcher is a common bird found in open woodland and cultivated areas. It nests in a hole in a tree, laying four eggs which are incubated by the female.
The male Asian Brown Flycatcher sings a simple melodic song during courtship.
This bird is parasitised by the chewing louse Philopterus davuricae.

Vagrancy
Asian Brown Flycatcher is an extremely rare vagrant to Western Europe. Records have come from Britain, Denmark, and Sweden, and in addition, there are unproven claims from Ireland, Faeroe, and Norway.[citation needed]

Britain
On 3rd October 2007 a first winter Brown Flycatcher was discovered at Flamborough Head, East Yorkshire which attracted hundreds of birdwatchers during its stay which lasted until dusk of the following day.[citation needed] This looks set to become the first accepted record. A previous record, on Fair Isle, on 1-2 July 1992 [3] was regarded by the BOURC as not definitely of wild origin.[citation needed] A bird had alaso been claimed on Holy Island, Northumberland on 9 Sept 1956, but the identification was not accepted with beyond doubt.[citation needed]

Saturday, October 11, 2008

Bristol underground scene



The Bristol underground scene is a term used to describe the culture surrounding trip hop, drum and bass and graffiti art that has existed in Bristol from the early 90s to the present.[2].
The city of Bristol in the UK has spawned various musicians and artists, and is typified by its urban culture. While the city is most associated with a group of artists who emerged during the 1990s, especially the 'Bristol Sound', the city maintains an active and diverse underground urban scene.
The city has been particularly associated with trip hop. Salon magazine has said that trip hop was spawned in "the bohemian, multi-ethnic city of Bristol, where restlessly inventive DJs had spent years assembling samples of various sounds that were floating around: groove-heavy acid jazz, dub reggae, neo-psychodelia, techno disco music, and the brainy art rap." [3]
The Bristol scene is characterised by a strong relationship between music and art, especially graffiti art. A founder member of the band Massive Attack, Robert Del Naja, was originally a graffiti artist, and local graffiti artist Banksy has also gone on to produce album covers and artworks.



The 'Bristol Sound'






The Bristol sound was the name given to a number of bands from Bristol, England, in the 1990s. These bands spawned the musical genre trip-hop, though many of the bands shunned this name when other British and international bands imitated the style and preferred not to distinguish it from hip-hop.



The style was perhaps typified by the song "Unfinished Sympathy" which has frequently been described as one of the best songs of all time, according to polls produced by MTV2, NME, and various other magazines and reviewers. [4] A reviewer for the BBC has said that: "More than a decade after its release it remains one of the most moving pieces of dance music ever, able to soften hearts and excite minds just as keenly as a ballad by Bacharach or a melody by McCartney."
The Bristol sound as a whole was characterised by a slow, spaced-out hip hop sound that a number of artists in the early and mid 1990s made synonymous with the city. These artists can include the aforementioned original Bristolians Massive Attack, Portishead and Tricky and others such as Way Out West, Smith & Mighty, Up, Bustle and Out, Roni Size, and The Wild Bunch.




Urban graffiti



Many graffiti artists work in Bristol. One of the most notable is Banksy, who has also designed album covers for bands such as Blur. Banksy is considered by some to be a talented artist; he uses his original street art form to promote alternative aspects of politics from those promoted by the mainstream media. Some believe that his graffiti helps to provide a voice for those living in urban environments that could not otherwise express themselves, and that his work is also something which improves the aesthetic quality of urban surroundings; others disagree, asserting that his work is simple vandalism.
Banksy has produced work all over the world, including in Barcelona, New York, Australia, London, and the West Bank.
There has long been an interplay between the different music and art scenes. Robert Del Naja of the internationally successful band Massive Attack was initially a graffiti artist, "indeed, his first ever live gig was as a DJ accompanying artwork he had produced in a gallery in Bristol"[5].




A work by Bristol artist Bansky.



History of the Bristol Underground scene


Bristol has long been a multicultural city. In the 1950s and 1960s there were waves of immigration that made Bristol one of the most racially diverse cities in the UK. This mix included greater access to new strands of music such as reggae. "In 1980, following a police raid on the popular Black and White Café, the St Pauls riots erupted, the first of the decade's civil disturbances."
"Around this time, the Bristol underground scene was steeped in punk and reggae influences, and soon embraced hip-hop - and with it the colourful New York-style lettering at the most creative end of the graffiti art spectrum."[6]
The 1990s was when the scene began to create work of international significance. 1991 saw the release of Massive Attack's Blue Lines, an album which has met international critical acclaim. Blue Lines was named the 21st greatest album of all time in a 'Music of the Millennium' poll conducted by HMV, Channel 4, The Guardian and Classic FM. Stuart Bailie of BBC Northern Ireland stated that "It was soul music. But it had bold, symphonic arrangements. It featured samples of the Mahavishnu Orchestra ... It had funky breaks and an emotional power that was hard to figure. It sounded anxious and lost. But there was a grandeur in the music also. People who came across the record became obsessed, spinning it endlessly." The release in 2006 of "Live With Me" is proof that the trip hop scene is still capable of producing great work.[citation needed]

Darkness


The Bristol underground scene was characterised by a sparseness and darkness. Bands like Portishead and Massive Attack used sparse sounds - a simple bass line, a vocal and a few other effects, and usually very melancholy lyrics. Banksy also tends to use very few colours, concentrating on blacks and whites and sharp outlines, and often looking at controversial topics such as war.
Separately to this, some writers have talked of an undercurrent of darkness within the City due to its history.[7]


Racial tensions within the City


An article in 2008 in The Telegraph stated that: "Racial matters have always carried a historical resonance in Bristol, a city made affluent on the profits of tobacco and slave-trading. Street names such as Blackboy Hill and Whiteladies Road remain as reminders."
"It's a past that we feel equivocal about", says Steve Wright. "It's a double-edged thing. There are the beautiful Georgian terraces that we love, but they were built on the profits of slavery. It's our shady past, and Bristolians are a bit self-effacing, a bit ashamed of it and are quite keen to layer new associations on top of it. There's always been a defiant, subversive streak in Bristol, and Banksy's work is very much in that tradition."[8]
There has often been a slight undercurrent of tension both in the politics and creatively with artists and musicians in the merger of black and white culture. During the 1950s the Bristol evening post carried what many today would consider openly racist articles, warning of the dangers of black bus drivers.

Creative tensions within bands


Some of this tension spilled over into some of the artists creative work. Massive Attack for example were wrought with creative tensions over their 1998 album Mezzanine, which resulted in one of the three core members leaving. Robert Del Naja has described the dark atmosphere within the group: "There was always this tension between control and collaboration. Always... We were just trying to get the job finished... Everything became thinner and smaller. All that warmth being spun into a tiny little thread, then that thread just being cut."[9]

Artistic use of darkness

The music and art of the Bristol underground scene has often used dark imagery and lyrics. Arguably Massive Attack's best song, Unfinished Sympathy talks of a lover's unhappiness, and the mood is soulful, downbeat and emotional. [10]
Banksy within his pictures has used images of civilian casualties of war, and his work often talks of frustration and anger.[11]
Arguably Portishead's most successful song Glory Box includes the lyrics "Give me a reason to love you" and speaks of a lover's unhappiness with her current situation[12]. Another successful song "All Mine" speaks of forcing a lover to be unable to escape making them "tethered and tied" until "the day they die". [13] Suggestions of the songs meaning have included the idea that it is either "scary or incredibly romantic. It can be about the initial obsession you get in fresh relationships."[14]
Massive Attack's most recent single Live With Me features a vocal performance by a deep soul singer and again includes soulful lyrics such as "Nothing's right, if you ain't here"[15]. The video includes images of a young woman drinking herself into a stupor, on her own, in a dark city. The video finishes with a shot of her tumbling over and over down a staircase until she is out of shot.[16] One review of the video described it as follows: "It's uncomfortable viewing, but I found it really haunting. It features a young (mid twenties) professional-looking woman drinking herself into oblivion on her own in her flat. I can’t really put my finger on what it is about it that I find so arresting, but I thought it was an incredibly powerful four minute film."[17]

Politics
By definition the underground scene tends to be slightly apart from the mainstream and this is reflected in the politics of some of the artists and musicians associated with it. Robert Del Naja, one of the most influential artists and musicians of this scene has openly declared his opposition to the Iraq war for example. [18] Del Naja and Banksy have both submitted art works to the War Paint exhibition which showcases anti war art work.

Bristol Indymedia



Bristol has a flourishing independent media scene. One of the more interesting aspects of this is the Bristol Indymedia web site [1]. Bristol Indymedia (like the wider Indymedia network), provides a mix of news and articles that often tend towards a left-wing, progressive or anarchistic perspective. Bristol Indymedia volunteers have also produced films[2] and run community media days[3] (often at the Cube Microplex).
On the 27 June 2005 the Bristol Indymedia server was temporarily taken off line by the police due to a vandal using it to boast of his activities and inciting others to do likewise. (See the Indymedia entry for more on controversies surrounding Indymedia's open newswire policy, or The Register's coverage for more on the police raid.) The seizure of the server was carried out under a search warrant (police and criminal evidence act 1984, ss.8 and 15).[4] The police also arrested of a Bristol Indymedia volunteer for the common law offence of incitement to criminal damage. The raid removed a computer that also hosted a number of other sites including Euskalinfo (a Basque news service) and Wildfire, the blog of a prominent Bristol peace activist Jo Wilding. Following the seizure the Bristol Indymedia collective released a statement saying, "We are outraged at the actions of the police. They have completely disabled the entire Bristol Indymedia news service...This situation has serious implications for anyone providing a news service on the Internet."[5] On October 26, 2005 the police had returned the seized equipment.[6] By January 2006 the police had not charged the arrested volunteer with the offence arrested for and had decided that no further action is to be taken.[7] During the server seizure many local groups and individuals responded warmly to Bristol Indymedia's plight with solidarity and donations.[8]

Other Bristol Independent Media

Bristol also has a well-established tradition of print media, now best exemplified by The Bristolian and Bristle magazine.
The Bristolian news sheet achieved a regular distribution of several thousand, pulling no punches with its satirical exposés of council and corporate corruption. The Bristolian, 'Smiter of the High and Mighty', even spawned a radical independent political party that polled an impressive 15% in Easton ward in 2003. In October 2005 it came runner up for the national Paul Foot Award for investigative journalism [9]
The anarchist-oriented Bristle, ‘fighting talk for Bristol and the South-West’, was started in 1997 and celebrated its twentieth issue in 2005. Its pages especially feature subvertising and other urban street art to complement news, views and comments on the local activist scene as well as tackling issues such as drugs, mental health and housing.[10]
1970s women's liberation paper Enough, was succeeded in the 1990s by the environmental and pagan Greenleaf (edited by the late George Firsoff), West Country Activist, Kebelian Voice, Planet Easton, the anarcho-feminist Bellow and present-day punk fanzine Everlong, all of which have been published in Bristol.
Urban radio projects such as the 1980s pirate, Savage Yet Tender and Dialect Radio (ceased October 2004)[citation needed] have proved to be more short-lived.








Urban culture

Urban culture is the culture of cities. Cities all over the world, past and present, have behaviors and cultural elements that separate them from otherwise comparable rural areas.
In the US and UK, "urban" is often used as a euphemism to describe hip hop culture or subsets of black culture; being these defined groups as a type of urban tribe. Hence names for cultural artifacts like urban music could be seen as a new term for "Race music". It can also refer to the greater availability of cultural resources (such as art, theatre, events, etc) as compared to suburban or rural areas.

Followers